This one definitely deserves video of the month.  Talk about overcoming obstacles…

Upcoming events – Dec. 2012

Dec. 9th & 16th – ASYO – Kids Christmas Concert – Click here for more info

Dec. 13th & 15th – ASO – Handel’s Messiah – Click here for more info

Jan. 12th – Atlanta Irish Music School – Scottish Musical Tribute – Click here for more info

Feb. 16th – Tallahassee Bach Parley – Auditions – Click here for more info


Click here to let us know about your upcoming events for 2013.



What you need to know about your violin tailpiece, tail-gut and fine tuners.

Violin tailpiece, tail-gut and fine tuners.

The tailpiece serves as an anchor for the strings as well as a spacer for each one. The main factors to consider in tailpiece selection are; material, size & shape, weight and proper placement. Common materials used are ebony, boxwood, rosewood, pernambuco, aluminum and  plastic synthetics.  Denser woods like ebony tend to brighten and focus an instruments tone, where softer woods can deepen and warm up the sound.  Sometimes, the wrong tailpiece can magnify wolf tones.  A good luthier will try multiple tailpieces to find one whose characteristics compliment that of the instrument.

The tail-gut secures the tailpiece a specific length from the bridge.  They are typically made from braided steel, nylon or kevlar.  Actual gut is rare and not used commonly by most modern luthiers.  Set-up is particularly important when it comes to a violin’s tailgut.  The after-length has a very specific ideal length from the back of the bridge.  The excess gut should also be trimmed to prevent buzzing.  Make sure your luthier takes the time to complete these important and often overlooked adjustments.

Fine-tuners can actually damage the strings and instrument.  Many classroom teachers prefer fine-tuners on all four strings, which is understandable.  Keep in mind that unless you’re using a light-weight tailpiece with intergrated tuners, (ei. Wittner Ultra or similar) four adjusters will add a considerable amount of weight to a violin or viola.  As soon as the player can tune his or her own instrument, we suggest moving to a single fine-tuner on the high string for violins and violas.  Cellos typically maintain four adjusters.  Hinge tuners, seen on the right, can actually gouge the top of your violin, especially if the bridge should fall.  They also alter the after-length, which can alter the instrument’s tone and even cause wolf tones to appear.  The Suzuki tuners, on bottom left, can easily damage the string as they adjust the string by bending it, much like an arrow bends the string on a bow.  We advocate the english style adjuster, seen in the top left.  At Beau Vinci, we even take the time to file off the sharp corners of the adjusters, in the event the bridge falls.

Make sure you have a luthier that takes the time to find a tailpiece that compliments the instrument, measures and trims the tailgut properly and uses fine-tuners that won’t damage the wood or strings.  These may seem like minor details, but a stringed instrument is the sum of it’s details.

Winter Violin Damage – 3 ways to avoid it

Dry Wood

Fall and winter are a tough time for the string family.  Sudden changes in temperature and generally lower humidity can cause problems and costly damage to your instrument.  Common issues that occur are: moving necks, unglued seams, rattles, buzzes and even cracks.  Here are a few steps you can take that will lessen the chance of paying an emergency visit to your local luthier.

Give it time.  Wood expands and contracts more than you may expect.  Damage occurs when temperature and humidity change quickly.  Get to your destination early and allow your instrument to adjust while staying in its case.

Control Humidity.  This means having a reliable hygrometer.  Try to keep it between 40% – 60%.  Be careful not to get your instrument wet!  Many people over-saturate their humidifiers.  This can cause major damage.  Also, be sure not to allow the humidity to change too quickly.  If it’s very low, bring it up 5% – 10% per day until it reaches the desired humidity.

Indoors, in the case.  If possible, do not travel with your instrument in the trunk of your vehicle.  If traveling by airplane, carry it on.  When at home, keep it indoors.  When it’s not being used, it should remain in the case.  Most furnaces and air conditioners pull moisture out of the air.  All it takes is a few hours of warm dry air blowing directly on your violin for a purfling to pick up a nasty buzz or a seam to pop open.

Just remember; take it slow, shoot for 50% humidity, and keep it indoors and in the case.  Taking these three steps can greatly reduce winter violin damage.  Go ahead and schedule an appointment with your trusted luthier.  Most will examine your instrument for free.  Catching small problems before they become big ones saves time and money down the road.

Holiday Gift Ideas for Violin Players

Holiday Gift Ideas for String Players

Raise your hand if you love figuring out what to get everyone for the holidays… hello?  Here are some ideas for every budget.

A home-made holiday CD : $0

Whether you’re a professional or just getting started, your friends and family would love to have a CD of you playing their holiday favorites.  You can even arrange songs for multiple parts and record each part yourself.  There are dozens of USB microphones and software programs that are good enough to get you started.  Check out Garage Band for some easy to use recording software and for tutorials on whatever software you decide to use.  Recording not only makes you a better musician, but also gives you a one-of-a-kind gift from the heart to share with friends and family.

Dampit Violin Humidifier : $10 – $15

These are great stocking stuffers.  Even if your favorite string musician already has one, they could use a back-up or new one.  A small price to pay to protect your investment.  Click here to read more about protecting your instrument from cold weather.

Metronomes / Tuners – $35

If you don’t have one, you should get one.  If you do already have one, you could always use another.  It’s inevitable that these get lost or break so it’s always good to have a backup.

Fiberglass Bows – $75

This is a great option for all levels.  Many musicians prefer not to bring their “nice” bows to school.  One fall and a bow can be cracked or broken.  Secondary bows are always a good idea, whether for school or just to pull a different tone from your instrument.

An Instrument Tune-Up – $40 – $500

Having a skilled luthier examine and adjust your instrument can be the next best thing to getting a new violin.  Sometimes a soundpost adjustment or fingerboard planing can cause an unbelievable difference in the performance of your current instrument.

A New Case – $160 – $1200

A new instrument case does more than protect your instrument.  It can provide a fresh perspective every time you open it.  Click here to view some cases for sale at Beau Vinci.

A New Instrument or Bow – $400 – $1200 and up

This one speaks for itself.

A Gift Certificate – $25 and up

This encompasses all of the above.  Click here to contact us to purchase a gift certificate.

ThePianoGuys Bach Cello Suite for One Man Octet

We love to see people trying new things and having fun.  So check out “ThePianoGuys” rendition of this Bach Cello Suite.  Hopefully, it will inspire you to produce your own multi-track creation and share it with us.  Click here to check out another awesome multi-track arrangement by Craig Butterfield.  Enjoy.

Click here to see more cool videos.


Doug Cox Viola 2009 – Matteo Gofriller

Doug Cox Viola #644 – 2009 – Matteo Gofriller.

I believe that a maker’s personality can be heard in the instruments they create.  Although I’ve never spent time with Douglas Cox, I would like to.  I know this from playing this particular viola, made by Doug in 2009.  It’s sound is warm, inviting, and refined, but not the snooty kind of refined that knows where the salad fork goes.  This viola has a smooth, round sound that has no crunch or abrasiveness to it.  Some instruments sound like there are many parts working together.  This viola sounds like it is carved from one solid piece of wood that only resonates the tone you intend.  It’s almost as if it knows what tone you want, and it plays it for you.  It’s an open “ahhh” sound as opposed to a nasal “eee” sound.  Even if you’re not a violist, come play this instrument, I assure you that you won’t want to stop.

Physical Description:

The viola bears the facsimile label “Matteo Gofriller / Vendig 1716”, and on the opposite side the label of its maker, “Douglas C. Cox, Brattleboro, Vermont, 2009 #644”.  It is branded and initialed on the inside.  It is styled after the work of Matteo Gofriller.  It is made of well aged North American grown wood.  The back is cut on the slab from one piece of New England maple.  The ribs are of maple similar to the back.  The neck is cut on the quarter of similar maple.  The table is of two pieces of Engelmann spruce of regular medium-narrow growth.  The varnish is of a medium brown color and is shaded and imitated.  The fittings are of boxwood with white trim.  It is priced at $22,000.



Click here for zoomable view of front, back and scroll.

Click here for zoomable view of front.

Click here for zoomable view of back.

Click here for zoomable view of side.